As the armies battle outside for control of the prison, the hero bursts into the cell where his love his held. She sees him enter and is, for a moment, filled with joy that he has returned to rescue him. Then she sees him. He's scarred and wearied, his mind and body burdened by the violence he has used to get here. He's not the man she knew. She storms out, disgusted by what he has become.
What a stupid woman, right? I mean, sure he did some bad things, but they were necessary and for her. She should be grateful!
He lets her go stay with her friends while he meets back with his war counsel. While she's off moping he continues the fight against their enemy. Is it vengeance? Justice? Is he doing it to protect her? Regardless, he's the one in the action. Of course in previous stories she was tough, and still plays the part, but now she's just a prisoner to be rescued, a ship to be protected in the final battle, and overall a burden with all her unreasonable emotions.
I might have my gendered pronouns backward in all that. The dark hero is Sarah Kerrigan while the damsel in distress in James Raynor. Of course there is nuance; it would be a terribly boring story otherwise. But there's the overall narrative: the gender-flipped but otherwise classic story of the stoic hero who does what needs to be done and the emotionally-torn damsel in need of saving.
What a stupid woman, right? I mean, sure he did some bad things, but they were necessary and for her. She should be grateful!
He lets her go stay with her friends while he meets back with his war counsel. While she's off moping he continues the fight against their enemy. Is it vengeance? Justice? Is he doing it to protect her? Regardless, he's the one in the action. Of course in previous stories she was tough, and still plays the part, but now she's just a prisoner to be rescued, a ship to be protected in the final battle, and overall a burden with all her unreasonable emotions.
I might have my gendered pronouns backward in all that. The dark hero is Sarah Kerrigan while the damsel in distress in James Raynor. Of course there is nuance; it would be a terribly boring story otherwise. But there's the overall narrative: the gender-flipped but otherwise classic story of the stoic hero who does what needs to be done and the emotionally-torn damsel in need of saving.
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